Thankfully, probably the worst three in Johnson’s cabinet of infamy had enough sense not to run and this of course included Nadine Dorries the minister for culture. Sadly over her tenure, Nadine has sadly demonstrated why she would never, in a million years, get a cabinet position under any other Prime Minister who had even a modicum of public duty in his body. Yet for comical effect, the comedian Sooz Kemper imagines what it would be like if Nadine had decided to run to replace Johnson as PM and what her campaign launch speech might have looked and sounded like. Enjoy.

So what is the secret to the lack of British ire against a ruling class that often makes their lives miserable and, in more extreme circumstances, even costs them their very lives (UK covid death statistics combined with people now dying at home because they can’t get an ambulance to them in time to save their lives)? My conjecture is it is British comedy that takes the mick out of its immoral ruling class. I wonder if such mockery, by British comedians, acts as some sort of national safety valve that lessens the rightful anger that many Brits feels against those who treat them as serfs that deserve nothing more than to be exploited.

If my conjecture is correct, then it should be talents like Matt Green that receive a knighthood from de Feffel Johnson rather than non-entities such as David Frost whose greatest claim to fame is achieving a form of “Schrodinger’s cat” Brexit where his own deal is simultaneously his unique achievement yet one that now needs complete reneging through a parliamentary bill which, if acted upon, amounts to breaking international law.

Of course as I have looked back at some of the old comics from the seventies, much of it would now be considered highly offensive. For example, there was a driving instructor sketch by Dick Emery which while it had some funny moments, also had moments that I would no longer find funny and which many would probably find offensive. To me this demonstrates how our sense of humour is deeply influenced by what our society considers to be inside the moral zeitgeist of acceptability for a particular generation.