This clip combines one of the most naturally funny comedy duos with one of the greatest rock bands to ever grace our planet. Unfortunately, the footage is restored and quite old as it was filmed in 1963. However, it is still really iconic footage to watch and for both Beatle and Morecambe and Wise fans will make you feel very nostalgic.

Time for change of comedy genre. The two Ronnies are the type of comedians that you could safely take you neighbourhood monk to and they would probably not be offended. Ronnie Barker was very gifted at coming up with clever ideas for sketches and this one, while not a play on words, is nonetheless clever in its execution. It also has a nice little punchline to bring the sketch to a fitting conclusion

Diane Morgan plays a famous character in the UK comedy scene called Philomena Cunk. While searching for funny comedy sketches for this section of my website, I came across this Youtube video of her working her craft as a stand up comedian. One of the interesting things about stand up comedy, is that comedians definitely inject their own unique characters into their routines. It is clear from Cunk and Morgan's routine in this little clip that she would be a person with an incredibly dry wit which completely permeates her whole character.

In fact, to give you a feel of Diane in a real life situation, I have also included this interview of her with her director Charlie Brooker. It is clear from some of the statements that Charlie makes, that he really doesn't have the first idea of what makes Diane tick. Sixteen minutes into this video Brooker says "Philomena is sort of on some unknowable level like or horse or something...It's hard to know what her inner life is or is that just me" To which Diane replies: I wouldn't say it was an absence of character"

Private Eye Annual is a compilation of funny satirical pieces that were release in Private Eye magazine during the previous year.

So one of my Christmas treats is reading the Private Eye annual which my lovely wife Helen purchases for me every Christmas. As the tag line to my comedy page states, I fully believe now that the comedians role is partly to provide a painkiller for the frustrating banal evil that infects the leadership of many nations. Sadly Britain has been subject to worse forms of this sickness in 2022 so it is soothing to see individuals like Johnson, Farage, Truss, Mogg and Patel subject to the only earthly justice that is available to us for all the problems their poor leadership has caused and that is some humour at their expense.

In a strange way the politicians whose subjugation to wealthy special interest groups and billionaire media moguls, should be thankful for the English tradition of taking the mick because I often wonder if their excellent work has protected these individual from societal anger which in other nations results in sometimes violent insurrection. Perhaps this is the answer to the mystery of why the Brits continue to tolerate a class system that was more at home in the dark ages than in the 21^st century.

In week 23 I posted some material from the series the IT crowd which was a brilliant series that screened in the naughties. Although all the episodes were very funny, two that were exceptionally good were "Are we not men?" (a nice reference to Devo there) and "The work outing". I have already cited the first bit of the work outing in September last year so now it is time for the next instalment. For the context of where this sketch starts, click here to watch part I.

On the day I wrote this post, the UK was in utter political chaos. It is heart breaking the damage the current Conservative government has done to Britain through their corruption, incompetence and greed. Brexit has been the disaster that was predicted yet as with all major mistakes made by those in power, the most affected by their errors are the poor.

Sadly, however this has always been the reality of situation, and the 2007 banking crisis was another great demonstration of how those who cause the most damage to our society, face zero negative consequences while nonetheless being highly rewarded for their mistakes. In many ways, I think this is one of the biggest problems with modern Capitalism. It prides itself on the idea that the free market will be a good arbiter of judging success and failure yet in reality, we often find that those who do offer the most benefit to society are not rewarded even with a liveable wage while those who cause the most damage (and this includes CEOs who destroy individual companies) are almost never held to account. Sadly, those who try to raise this objection are often dismissed as simply being too left-wing when in fact this critique has no bearing on one's view of how socialistic a society should be.

Returning to the comedy at hand, Bird and Fortune were too rather elderly Gentleman who produced a cracking series in the naughties critiquing the obvious political shenanigans that plagued the globe around the time of the financial crisis of 2007/8 and the war on terrorism that preceded it. Sadly John Fortune passed away on New Year's eve of 2013 aged 74 while John Bird passed away only recently on Christmas Eve of 2022 aged 86. RIP John F & John B.

So Philomena Cunk aka (Diane Morgan) is a bit of an acquired taste. The concept of the character is that of someone with very little education producing a documentary. The series covers many varied topics including history, science, philosophy, music and politics. In this particular episode, she explores the computer and the history of its development. Part of her USP is to ask experts in the field rather basic questions which sometimes can almost seem profound in their simplicity (or stupidity) although of course, in this context, it is for comedic effect. In some ways, it reminds me of the ancient philosopher Socrates who was said to upset the learned men of his time by constantly asking why. The harsh reality, of course, is that by constantly asking "why" one is led to what is known as the infinite regress where we all are forced to the limits of human knowledge and left with that uncomfortable realisation that none of us really understand at all the strange reality in which we happen to find ourselves.