Today I was listening to James OBrien and a 97 year old caller rang in to say that he feels the UK government under Johnson is the worst it has ever been in his long lifetime. Given this government is constantly trying to gaslight its electorate, by telling us that Johnson got all the big calls right in relation to Covid-19, Brexit and the war in Ukraine, it seems this sketch by Harry Enfield is entirely appropriate even though the heart of the sketch suggests that in the past the media gave the government an easy time in terms of holding it to account.

Sadly those days appear to have returned with a vengeance given the pressure this current Conservative government is putting on organisations like the BBC and channel 4 and the revolving door between Parliament and the client journalists that supply ministers to top government positions.

So last week I shared a comedy video which was a parody of de Feffel's resignation speech. This week we of course now must be subject to the spectacle of those who supported Johnson's car crash vying to replace him. Given that Johnson created a strong evolutionary selection pressure to reward those who were least likely to present any threat to his leadership into cabinet positions, the choice the country has, in relation to the field of possible Tory replacements, is (as the LBC radio presenter James O'Brien stated) a bit like trying to chose a portaloo toilet at the Glastonbury festival.

Thankfully, probably the worst three in Johnson's cabinet of infamy had enough sense not to run and this of course included Nadine Dorries the minister for culture. Sadly over her tenure, Nadine has sadly demonstrated why she would never, in a million years, get a cabinet position under any other Prime Minister who had even a modicum of public duty in his body. Yet for comical effect, the comedian Sooz Kemper imagines what it would be like if Nadine had decided to run to replace Johnson as PM and what her campaign launch speech might have looked and sounded like. Enjoy.

So here is my crazy take on the British as an Aussie immigrant, hahem, I mean expat living in England. This is my hypothesis that aims to explain everything British. The population is dominated by four phenotypes:

1. The Innovator
2. The Gossip
3. The Bad Manager
4. The Comedian

The innovators are incredible. The level of British genius at the top never ceases to amaze me and explains how the Brits were able to change the world through science and technology. A few favourites of mine are Sanger, Newton, Turing and Penrose. The gossips are those who either read the Daily Mail and take it seriously or write rags like the Daily Mail. They are important at making sure the manager phenotypes retain power.

The Bad managers are those that do real damage to Britain and sadly they don't just occupy councils, parliament and the lords, but they occupy pretty much every large business and organisation in Britain from the NHS to the Universities to the middle management of many MSEs and multinationals in the UK. I could write volumes on this lot but if you live in the UK, you only have to experience the omnishambles of the current Tory party to know what I mean. Yet I will point out two subtle symptoms of this group that some may have missed. If you were an innovator trying to write a three year research grant, the compulsory inclusion of a detailed 3 year Gantt chart, along with building some artificially large research consortium, are symptoms that the manager phenotypes have got control of your discipline.

The second characteristic is excessive accounting based on them projecting their own dishonesty onto the rest of the population. Yes we must make them spend hours filling in detailed financial reports on their grant expenditure every few months because, if we had that money, of course we would syphon it off for our own personal use. Braverman is an ugly specimen of this trait when she talks about cracking down on those at the bottom cheating the tax payer by claiming universal credit while she puts over £100k through on MP expenses.

And now we come to most interesting phenotype of all: the comedians. Britain produces by far the best comedians in the world and it is in times of deep political crisis that their work goes into overdrive. What the Managers don't realise is they owe as much to the comedian phenotype as they do to the gossip class because British comedy gives the suffering populous a safety valve to dissipate their anger and rage. Without the comedy phenotype, I think the Brits would be more like the French with much more violent protest to the current shitshow of manager phenotypes that have infested the Tory party. If you have read this far then you deserve a lovely taste of the British humour that is being generated at this bleak time in British politics.

Diane Morgan plays a famous character in the UK comedy scene called Philomena Cunk. While searching for funny comedy sketches for this section of my website, I came across this Youtube video of her working her craft as a stand up comedian. One of the interesting things about stand up comedy, is that comedians definitely inject their own unique characters into their routines. It is clear from Cunk and Morgan's routine in this little clip that she would be a person with an incredibly dry wit which completely permeates her whole character.

In fact, to give you a feel of Diane in a real life situation, I have also included this interview of her with her director Charlie Brooker. It is clear from some of the statements that Charlie makes, that he really doesn't have the first idea of what makes Diane tick. Sixteen minutes into this video Brooker says "Philomena is sort of on some unknowable level like or horse or something...It's hard to know what her inner life is or is that just me" To which Diane replies: I wouldn't say it was an absence of character"

Peter Kay is a master of observation and so much stand up comedy relies on observing the funny little things that we all do as foible-ladened human beings.

Well since it is the Christmas period, and as we begin 2023, I thought I would end of the Christmas season with the Morecambe and Wise Christmas show 1978. As a child the highlight of Christmas day was my parents putting on the TV at around 7 pm to watch the Morecambe and Wise Christmas special. Looking at it again all these years later, much of the humour is now very dated (although there are still some clever bits that will make you laugh) which raises the interesting idea of how even our comical taste is culturally influenced.

In many ways this is because the world has changed so completely since the 1970s and perhaps this is one of the most disorientating thing about living in the 21^st century. I often wonder if we could have performed an experiment in the 1970s, where we took humour from the 1930s and replayed it, whether it would look as dated as these sketches do now? I suspect not.

Happy new year!

So just under a year ago I opened my comedy section with a series of sketches from the late great Dave Allen. Therefore it seems appropriate to bring this little series to a close with the late great Allen capturing his thoughts on air travel a theme which of course has been the butt of much comedy over many years.

Bonus Clip

When I was a young child my late father used to have a single record from the American Comedian Shelly Berman. One of the sketches on this record was the one posted below. As children my brother and I used to listen to this record again and again. After leaving Australia in 1997, I did not hear the sketch again until a few years ago when I looked it up on Youtube. Hearing it again brought back lots of pleasant memories and made me feel very nostalgic for a past age that is now long gone. A time even before modern jet engines as this sketch was old even when I was a boy. Sadly in the Youtube version below, the sketch is cut off before it finishes.