Last week I posted a recurring sketch by Harry Enfield and Chums about a gormless upper class English character called Tim Nice-But-Dim. Yet parodying the upper class in Britain has always been part of British comedy and this next clip is a classic example taken from the comedy group Monty Python. Monty Python is a bit of an acquired taste and I can imagine that some will not enjoy this sketch although I think it gets better as the skit progresses.

I grew up in Australia and when I first moved to the UK just shy of 30 years ago I used to think that the Australian view of the British being in the grips of a class system was over-stated. Sadly however, I have come to realise the sad truth that the British class system, while being completely anachronistic for the 21^st century, is still very much alive and well. The most disturbing modern incarnation of it at present is the current Tory party under Alexander Boris Pfeffel Johnson who single-handedly has brought into sharp focus all that is wrong with a system that allows some of the most intellectually and, more importantly, morally challenged individuals into the heart of government where their actions make the majority of folk poorer and where horrendous policies are enacted to appeal to the darker demons of our nature including xenophobia and racism.

One Youtube comment under this clip which brought a wry smile to my face was the following It's interesting how as time passed, this marvellous sport has developed into something that the entire world gets pure entertainment value from and has been renamed to 'British Government'.

A common joke that does the round at medical school is: "What's the difference between God and a medical student?" Answer: "God doesn't think he is a medical student!". In many ways, this sketch reminds me of this joke although here Harry and Paul are capturing godlike properties of consultants along with their strange educated upper middle class foibles which is only really found inside the English class system.

Last week I cited a Mash report sketch which contained an appearance from Michael Spicer who has his own Youtube series called the Room Next Door. The premise of this comedy is he is pretending to be a hidden media advisor speaking into the earpiece of hapless politicians to help them get through their interviews. Probably one of the most hapless politician of all time is the former Prime Minister of the UK whose tenure lasted all of 45 days after she managed to crash UK Sterling and the economy. In this sketch, Spicer is trying to navigate Truss through an interview with Laura Kuenssberg which of course, as with all Truss interviews, did not go at all well even though she did try to throw her Chancellor under the bus ("it was all Qwasi's fault!").

So here is my crazy take on the British as an Aussie immigrant, hahem, I mean expat living in England. This is my hypothesis that aims to explain everything British. The population is dominated by four phenotypes:

1. The Innovator
2. The Gossip
3. The Bad Manager
4. The Comedian

The innovators are incredible. The level of British genius at the top never ceases to amaze me and explains how the Brits were able to change the world through science and technology. A few favourites of mine are Sanger, Newton, Turing and Penrose. The gossips are those who either read the Daily Mail and take it seriously or write rags like the Daily Mail. They are important at making sure the manager phenotypes retain power.

The Bad managers are those that do real damage to Britain and sadly they don't just occupy councils, parliament and the lords, but they occupy pretty much every large business and organisation in Britain from the NHS to the Universities to the middle management of many MSEs and multinationals in the UK. I could write volumes on this lot but if you live in the UK, you only have to experience the omnishambles of the current Tory party to know what I mean. Yet I will point out two subtle symptoms of this group that some may have missed. If you were an innovator trying to write a three year research grant, the compulsory inclusion of a detailed 3 year Gantt chart, along with building some artificially large research consortium, are symptoms that the manager phenotypes have got control of your discipline.

The second characteristic is excessive accounting based on them projecting their own dishonesty onto the rest of the population. Yes we must make them spend hours filling in detailed financial reports on their grant expenditure every few months because, if we had that money, of course we would syphon it off for our own personal use. Braverman is an ugly specimen of this trait when she talks about cracking down on those at the bottom cheating the tax payer by claiming universal credit while she puts over £100k through on MP expenses.

And now we come to most interesting phenotype of all: the comedians. Britain produces by far the best comedians in the world and it is in times of deep political crisis that their work goes into overdrive. What the Managers don't realise is they owe as much to the comedian phenotype as they do to the gossip class because British comedy gives the suffering populous a safety valve to dissipate their anger and rage. Without the comedy phenotype, I think the Brits would be more like the French with much more violent protest to the current shitshow of manager phenotypes that have infested the Tory party. If you have read this far then you deserve a lovely taste of the British humour that is being generated at this bleak time in British politics.

Well since it is the Christmas period, and as we begin 2023, I thought I would end of the Christmas season with the Morecambe and Wise Christmas show 1978. As a child the highlight of Christmas day was my parents putting on the TV at around 7 pm to watch the Morecambe and Wise Christmas special. Looking at it again all these years later, much of the humour is now very dated (although there are still some clever bits that will make you laugh) which raises the interesting idea of how even our comical taste is culturally influenced.

In many ways this is because the world has changed so completely since the 1970s and perhaps this is one of the most disorientating thing about living in the 21^st century. I often wonder if we could have performed an experiment in the 1970s, where we took humour from the 1930s and replayed it, whether it would look as dated as these sketches do now? I suspect not.

Happy new year!

On the day I wrote this post, the UK was in utter political chaos. It is heart breaking the damage the current Conservative government has done to Britain through their corruption, incompetence and greed. Brexit has been the disaster that was predicted yet as with all major mistakes made by those in power, the most affected by their errors are the poor.

Sadly, however this has always been the reality of situation, and the 2007 banking crisis was another great demonstration of how those who cause the most damage to our society, face zero negative consequences while nonetheless being highly rewarded for their mistakes. In many ways, I think this is one of the biggest problems with modern Capitalism. It prides itself on the idea that the free market will be a good arbiter of judging success and failure yet in reality, we often find that those who do offer the most benefit to society are not rewarded even with a liveable wage while those who cause the most damage (and this includes CEOs who destroy individual companies) are almost never held to account. Sadly, those who try to raise this objection are often dismissed as simply being too left-wing when in fact this critique has no bearing on one's view of how socialistic a society should be.

Returning to the comedy at hand, Bird and Fortune were too rather elderly Gentleman who produced a cracking series in the naughties critiquing the obvious political shenanigans that plagued the globe around the time of the financial crisis of 2007/8 and the war on terrorism that preceded it. Sadly John Fortune passed away on New Year's eve of 2013 aged 74 while John Bird passed away only recently on Christmas Eve of 2022 aged 86. RIP John F & John B.

So Philomena Cunk aka (Diane Morgan) is a bit of an acquired taste. The concept of the character is that of someone with very little education producing a documentary. The series covers many varied topics including history, science, philosophy, music and politics. In this particular episode, she explores the computer and the history of its development. Part of her USP is to ask experts in the field rather basic questions which sometimes can almost seem profound in their simplicity (or stupidity) although of course, in this context, it is for comedic effect. In some ways, it reminds me of the ancient philosopher Socrates who was said to upset the learned men of his time by constantly asking why. The harsh reality, of course, is that by constantly asking "why" one is led to what is known as the infinite regress where we all are forced to the limits of human knowledge and left with that uncomfortable realisation that none of us really understand at all the strange reality in which we happen to find ourselves.