We now move onto a slightly different genre of comedy sketches with this recent sketch by the comedian Tom Walker who has created a fictional character Jonathan Pie. Walker created his character by imagining what professional journalists might really think of the stories they are reporting on the TV, especially when they relate to the crazy goings on of our elected officials.

Most of his skits follow a format whereby Jonathan begins as if he is concluding his news report and then as he says the final line of his report "Jonathan Pie reporting from London" or something like this, he then goes into a massive comical rant about what he really thinks of the subject matter he has just reported on.

This sketch is a slight departure from his standard formula as here he imagines his character Jonathan, has been asked by the New York times to give a rundown for an American audience of UK Prime Minister Boris Johnson's character and behaviour. One of the distinct aspect of Pie's humour is that his rants often have an almost prophetic tone to them whereby the hearer is often left with a strong desire to say Amen as one feels his anger at the corruption that currently plagues the UK ruling class.

So going back again into the early 70s here is another classic sketch from Morecambe and Wise. I must confess it is quite interesting looking back at the comedy of the seventies because it clearly demonstrates how humour is very generation and time specific. Morecambe and Wise were considered comic geniuses of their time but in some ways this sketch now appears almost quaint in its lack of parodic sophistication compared with more modern work that I have recently cited.

Of course as I have looked back at some of the old comics from the seventies, much of it would now be considered highly offensive. For example, there was a driving instructor sketch by Dick Emery which while it had some funny moments, also had moments that I would no longer find funny and which many would probably find offensive. To me this demonstrates how our sense of humour is deeply influenced by what our society considers to be inside the moral zeitgeist of acceptability for a particular generation.

So staying with the two Ronnies for another week this sketch seems strangely appropriate given death is on everyone's mind given the sad passing of the Queen. This sketch also has quite a dark tinge to it now given the dreadful reality of one of Britain's most infamous mass murderers Harold Shipman. It is ironic to think when this sketch was made, he had probably already started murdering the many victims. As I said in my introduction to this collection, we live in a dark world where comedy gives us a powerful respite from the reality of our present existence.

This particular Youtube clip is not embedable so you can only watch it directly on Youtube by clicking here

Ok so we are now entering yet another period of complete chaos in the UK government as Truss was forced to sack her chancellor after Kwarteng released a non-costed mini budget that crashed the pound and the UK economy. Thankfully, the comedians have been at work trying to soften the pain for the long-suffering average Brit who have witnessed the health service collapse and their standard of livings fall as the government continues to pursue policies that only help the very wealthiest in society.

Yet it has also been a very busy week in UK politics. On the 19^th of October Suella Braverman resigned as home secretary because she broke the ministerial code. Two days after that, on the 21^st, Liz Truss was also forced to resign after her whole premiership was in tatters, there was bullying in the Commons as MPs were forced through the "yes" corridor in the voting chamber of the House of Commons on a crucial fracking vote, and Labour gained a 30 point lead over the Conservative party. In short, the whole country is in a right state because of a group of far right greedy, narcissistic, unintelligent, misanthropic, Dunning-Kruger-type individuals who care about as much for the common folk of the UK as I do for a garden slug. Sad and very difficult times indeed for the UK.

So here is my crazy take on the British as an Aussie immigrant, hahem, I mean expat living in England. This is my hypothesis that aims to explain everything British. The population is dominated by four phenotypes:

1. The Innovator
2. The Gossip
3. The Bad Manager
4. The Comedian

The innovators are incredible. The level of British genius at the top never ceases to amaze me and explains how the Brits were able to change the world through science and technology. A few favourites of mine are Sanger, Newton, Turing and Penrose. The gossips are those who either read the Daily Mail and take it seriously or write rags like the Daily Mail. They are important at making sure the manager phenotypes retain power.

The Bad managers are those that do real damage to Britain and sadly they don't just occupy councils, parliament and the lords, but they occupy pretty much every large business and organisation in Britain from the NHS to the Universities to the middle management of many MSEs and multinationals in the UK. I could write volumes on this lot but if you live in the UK, you only have to experience the omnishambles of the current Tory party to know what I mean. Yet I will point out two subtle symptoms of this group that some may have missed. If you were an innovator trying to write a three year research grant, the compulsory inclusion of a detailed 3 year Gantt chart, along with building some artificially large research consortium, are symptoms that the manager phenotypes have got control of your discipline.

The second characteristic is excessive accounting based on them projecting their own dishonesty onto the rest of the population. Yes we must make them spend hours filling in detailed financial reports on their grant expenditure every few months because, if we had that money, of course we would syphon it off for our own personal use. Braverman is an ugly specimen of this trait when she talks about cracking down on those at the bottom cheating the tax payer by claiming universal credit while she puts over £100k through on MP expenses.

And now we come to most interesting phenotype of all: the comedians. Britain produces by far the best comedians in the world and it is in times of deep political crisis that their work goes into overdrive. What the Managers don't realise is they owe as much to the comedian phenotype as they do to the gossip class because British comedy gives the suffering populous a safety valve to dissipate their anger and rage. Without the comedy phenotype, I think the Brits would be more like the French with much more violent protest to the current shitshow of manager phenotypes that have infested the Tory party. If you have read this far then you deserve a lovely taste of the British humour that is being generated at this bleak time in British politics.

Well since it is the Christmas period, and as we begin 2023, I thought I would end of the Christmas season with the Morecambe and Wise Christmas show 1978. As a child the highlight of Christmas day was my parents putting on the TV at around 7 pm to watch the Morecambe and Wise Christmas special. Looking at it again all these years later, much of the humour is now very dated (although there are still some clever bits that will make you laugh) which raises the interesting idea of how even our comical taste is culturally influenced.

In many ways this is because the world has changed so completely since the 1970s and perhaps this is one of the most disorientating thing about living in the 21^st century. I often wonder if we could have performed an experiment in the 1970s, where we took humour from the 1930s and replayed it, whether it would look as dated as these sketches do now? I suspect not.

Happy new year!

This compilation of sketches parodies certain modern work environments where everyone competes for patronage from the alpha male that occupies some senior position in their company. As with so many workplaces, there is always the poor Declan who never can find a path into the in crowd no matter what juicy information titbit he brings his boss.

Armstrong and Miller in their comedy series often ran the same sketches for several weeks in a row developing the theme each time as this compilation demonstrates. However, this series of sketches has quite an amusing punchline to it which is the subject of next week's comedy post