Being an early generation Xer, as a young man I grew up with the TV series friends. At the time Chandler was just one of the very funny characters that made this show so enjoyable to watch. It was only when the actor who played Chandler, Matthew Perry, passed away at the end of October this year that many interviews of him resurfaced where he openly spoke about his mental health issues and his struggle with alcoholism and drug abuse. Sadly, like many artistically talented folk before him, Matthew clearly had to battle for many years against his inner demons, a battle that finally he would lose although thankfully not at the tender age of 27 which is that strange age that appears to claim so many of rock stars. Below is a collection of funny moments from the first series of Friends.

There is an interesting back story to this character which I discovered when I saw an interview with the great Ian Hislop of Private Eye and Have I got News for you fame. The wikipedia entry for Harry Enfield and Chums states the following under the subheading Tim Nice-but-Dim Esq.

The character was initially created by Ian Hislop and Nick Newman, who are both Old Ardinians. They wrote the character as an antidote to contemporary portrayals of ex-public schoolboys as sharp-minded, high-achieving young men, and instead chose to base the character on former school contemporaries who had plenty of money and good manners but were light of intellect. Tim's catchphrase is "What an absolutely, thoroughly, bloody nice bloke!" A notable scene was him going to the school reunion of another school.

Today I was listening to James OBrien and a 97 year old caller rang in to say that he feels the UK government under Johnson is the worst it has ever been in his long lifetime. Given this government is constantly trying to gaslight its electorate, by telling us that Johnson got all the big calls right in relation to Covid-19, Brexit and the war in Ukraine, it seems this sketch by Harry Enfield is entirely appropriate even though the heart of the sketch suggests that in the past the media gave the government an easy time in terms of holding it to account.

Sadly those days appear to have returned with a vengeance given the pressure this current Conservative government is putting on organisations like the BBC and channel 4 and the revolving door between Parliament and the client journalists that supply ministers to top government positions.

It has been often observed by historians that the Brits, unlike many other cultures (here's looking at you France 😀), never appear to rise up in full mutiny against their government. Of course British politicians and too many of the British public assume this is because the British government has been generally more functional than most other ruling institutions and a lot less corrupt. This believe however is surely utter fantasy and this fantasy has been aptly demonstrated by the utter chaos of the last 3 years with Britain being subject to one of the most dreadful governments in living memory, lead by a narcissistic liar who is up to his ears in corruption and enabled by a complicit cabinet of individuals who appear not to possess anything resembling a functioning conscience or talent.

So what is the secret to the lack of British ire against a ruling class that often makes their lives miserable and, in more extreme circumstances, even costs them their very lives (UK covid death statistics combined with people now dying at home because they can't get an ambulance to them in time to save their lives)? My conjecture is it is British comedy that takes the mick out of its immoral ruling class. I wonder if such mockery, by British comedians, acts as some sort of national safety valve that lessens the rightful anger that many Brits feels against those who treat them as serfs that deserve nothing more than to be exploited.

If my conjecture is correct, then it should be talents like Matt Green that receive a knighthood from de Feffel Johnson rather than non-entities such as David Frost whose greatest claim to fame is achieving a form of "Schrodinger's cat" Brexit where his own deal is simultaneously his unique achievement yet one that now needs complete reneging through a parliamentary bill which, if acted upon, amounts to breaking international law.

So last week I shared a comedy video which was a parody of de Feffel's resignation speech. This week we of course now must be subject to the spectacle of those who supported Johnson's car crash vying to replace him. Given that Johnson created a strong evolutionary selection pressure to reward those who were least likely to present any threat to his leadership into cabinet positions, the choice the country has, in relation to the field of possible Tory replacements, is (as the LBC radio presenter James O'Brien stated) a bit like trying to chose a portaloo toilet at the Glastonbury festival.

Thankfully, probably the worst three in Johnson's cabinet of infamy had enough sense not to run and this of course included Nadine Dorries the minister for culture. Sadly over her tenure, Nadine has sadly demonstrated why she would never, in a million years, get a cabinet position under any other Prime Minister who had even a modicum of public duty in his body. Yet for comical effect, the comedian Sooz Kemper imagines what it would be like if Nadine had decided to run to replace Johnson as PM and what her campaign launch speech might have looked and sounded like. Enjoy.

After living in the UK for just over 30 years, I have come to the conclusion that one of the ways the British cope with their corrupt politicians is by laughing at them. Although this method helps makes coping with the worst excesses of the British class system bearable, I wonder if it might inadvertently stifle true political progress in the UK? Certainly Boris Johnson is one of the most terrible, lying corrupt Prime Ministers Britain has had for well over a century. Yet so much of his appeal to the voting public is he was able to play the fool and make people laugh. Although I enjoy British humour very much, I do hope that one day the Brits come to realise that the amount of corruption in their political system probably rivals some of archetypal African nations to which so many Brits feel superior in relation to their "mother of all Parliaments".

Peter Kay is a master of observation and so much stand up comedy relies on observing the funny little things that we all do as foible-ladened human beings.