So working through the comedians in the comedy picture spread above, Rowen Atkinson's famous comedy creation Mr Bean always brings a laugh to most people. Apparently Bean is popular even without translation in other languages because his humour is so visual. The set of sketches in this video are well worth watching if your day needs a lift with some light slap stick comedy. I particularly enjoy when Bean goes to the theatre to watch a horror movie with his long-suffering girlfriend.

So going back again into the early 70s here is another classic sketch from Morecambe and Wise. I must confess it is quite interesting looking back at the comedy of the seventies because it clearly demonstrates how humour is very generation and time specific. Morecambe and Wise were considered comic geniuses of their time but in some ways this sketch now appears almost quaint in its lack of parodic sophistication compared with more modern work that I have recently cited.

Of course as I have looked back at some of the old comics from the seventies, much of it would now be considered highly offensive. For example, there was a driving instructor sketch by Dick Emery which while it had some funny moments, also had moments that I would no longer find funny and which many would probably find offensive. To me this demonstrates how our sense of humour is deeply influenced by what our society considers to be inside the moral zeitgeist of acceptability for a particular generation.

After living in the UK for just over 30 years, I have come to the conclusion that one of the ways the British cope with their corrupt politicians is by laughing at them. Although this method helps makes coping with the worst excesses of the British class system bearable, I wonder if it might inadvertently stifle true political progress in the UK? Certainly Boris Johnson is one of the most terrible, lying corrupt Prime Ministers Britain has had for well over a century. Yet so much of his appeal to the voting public is he was able to play the fool and make people laugh. Although I enjoy British humour very much, I do hope that one day the Brits come to realise that the amount of corruption in their political system probably rivals some of archetypal African nations to which so many Brits feel superior in relation to their "mother of all Parliaments".

I think one of the funniest comedy series made in the teens of the 21^st was the IT crowd. The concept of the series is based around the IT department of a big multinational (Reynholme industries) that produces a product that is never revealed (part of the comical concept of the whole series). The IT department consists of two geeky guys: a classical geek (Moss) and a more subtle geek (Roy) who boasts to his boss Jen in the final episode of the whole series that his girlfriend thinks he is on the "emotional artistic spectrum". In some episodes (including this one) a goth called Richmond, who lives in the Server room, also puts in an appearance just to add to fun.

The series in general was brilliant but like all series, there were some episodes that were particularly funny. This clip is taken from the first episode of season 2 where Moss and Roy gate crash a date with their boss Jen who taken to the theatre by a bloke she hopes will be her next love interest. Unfortunately for her, he is gay and the musical he takes them to is not what one would describe as "mainstream". Yet given this is Moss's very first time at the theatre, he is very impressed, although, unbeknown to him and Roy, things are going to get interesting as the episode unfolds with Roy having to fake he is disabled and Moss ending up working behind the drinks counter and causing utter mayhem. All crazy stuff that generates a ton of very funny comedy. The clip below is the beginning of this very funny episode.

Time to move onto some stand up comedy. I begin with Peter Kay who has produced some masterful material over his career capturing the many foibles of human existence. In this particularly funny segment, Kay picks up on the common problem we all have (especially as we get older) of completely mishearing lyrics.

I find this sketch particularly interesting as a physiologist because it also demonstrates how our brains can be so easily tricked if we are presented contrary information about the content of what we are hearing. Kay tells the audience what he wants them to hear and then mouths the incorrect lyric over the song and incredibly this is exactly then what you here. The most dramatic demonstration of this is in the song "We are family where he suggests they are singing "just let me staple the vicar". The correct lyrics are "just let me state for the record". If you play this part of the sketch and focus on the correct lyric of "just let me state for the record" you will actually correctly hear the correct words. Quite incredible really.

Time for some more Blackadder. The last time I cited Blackadder on this website was all the way back in June when the days were warm and long. That particular set of sketches was taken from the final series of Blackadder which was set in World War I. This Blackadder is set around the time of George the 3^rd and this historical context created lots of opportunities for the very clever comedy writers of Blackadder to create a series of master sketches. These wonderful sketches have brought many people much joy over many years and have raised the spirits of those who are feeling the "slings and arrows of outrageous fortune".

If you're a nervous flyer perhaps best not watch this sketch. Aircraft have definitely been a setting for many comical scenes over the years