Being an early generation Xer, as a young man I grew up with the TV series friends. At the time Chandler was just one of the very funny characters that made this show so enjoyable to watch. It was only when the actor who played Chandler, Matthew Perry, passed away at the end of October this year that many interviews of him resurfaced where he openly spoke about his mental health issues and his struggle with alcoholism and drug abuse. Sadly, like many artistically talented folk before him, Matthew clearly had to battle for many years against his inner demons, a battle that finally he would lose although thankfully not at the tender age of 27 which is that strange age that appears to claim so many of rock stars. Below is a collection of funny moments from the first series of Friends.

So going back again into the early 70s here is another classic sketch from Morecambe and Wise. I must confess it is quite interesting looking back at the comedy of the seventies because it clearly demonstrates how humour is very generation and time specific. Morecambe and Wise were considered comic geniuses of their time but in some ways this sketch now appears almost quaint in its lack of parodic sophistication compared with more modern work that I have recently cited.

Of course as I have looked back at some of the old comics from the seventies, much of it would now be considered highly offensive. For example, there was a driving instructor sketch by Dick Emery which while it had some funny moments, also had moments that I would no longer find funny and which many would probably find offensive. To me this demonstrates how our sense of humour is deeply influenced by what our society considers to be inside the moral zeitgeist of acceptability for a particular generation.

Diane Morgan plays a famous character in the UK comedy scene called Philomena Cunk. While searching for funny comedy sketches for this section of my website, I came across this Youtube video of her working her craft as a stand up comedian. One of the interesting things about stand up comedy, is that comedians definitely inject their own unique characters into their routines. It is clear from Cunk and Morgan's routine in this little clip that she would be a person with an incredibly dry wit which completely permeates her whole character.

In fact, to give you a feel of Diane in a real life situation, I have also included this interview of her with her director Charlie Brooker. It is clear from some of the statements that Charlie makes, that he really doesn't have the first idea of what makes Diane tick. Sixteen minutes into this video Brooker says "Philomena is sort of on some unknowable level like or horse or something...It's hard to know what her inner life is or is that just me" To which Diane replies: I wouldn't say it was an absence of character"

Ryan George has a real gift of taking the cultural furniture that has been with us for our whole lives and exposing just how strange it really is when observed from a different perspective. I guess our Christmas paraphernalia is ripe for such parody given the thousands of Christmas songs that have accumulated over the centuries this season has been celebrated in the Western world.

Frosty the Snowman has always been one of my favourites since our next door neigbour once bought my daughter Grace a dancing singing snowman with this tune programmed into it. Strangely enough the version in our snowman is a little different to the classic one. Perhaps I am doing a Peter Kay by mishearing the lyrics of my dancing snowman but it truly likes he is singing:

"🎼 Frosty the snowman was a jolly happy soul, with a pink carnation and a button nose and a lively 'I don't know'🎵". My youngest autistic daughter Rebekah and I now regularly sing these words as we both find them rather amusing in their silliness.

Private Eye Annual is a compilation of funny satirical pieces that were release in Private Eye magazine during the previous year.

So one of my Christmas treats is reading the Private Eye annual which my lovely wife Helen purchases for me every Christmas. As the tag line to my comedy page states, I fully believe now that the comedians role is partly to provide a painkiller for the frustrating banal evil that infects the leadership of many nations. Sadly Britain has been subject to worse forms of this sickness in 2022 so it is soothing to see individuals like Johnson, Farage, Truss, Mogg and Patel subject to the only earthly justice that is available to us for all the problems their poor leadership has caused and that is some humour at their expense.

In a strange way the politicians whose subjugation to wealthy special interest groups and billionaire media moguls, should be thankful for the English tradition of taking the mick because I often wonder if their excellent work has protected these individual from societal anger which in other nations results in sometimes violent insurrection. Perhaps this is the answer to the mystery of why the Brits continue to tolerate a class system that was more at home in the dark ages than in the 21^st century.

If you're a nervous flyer perhaps best not watch this sketch. Aircraft have definitely been a setting for many comical scenes over the years

So Philomena Cunk aka (Diane Morgan) is a bit of an acquired taste. The concept of the character is that of someone with very little education producing a documentary. The series covers many varied topics including history, science, philosophy, music and politics. In this particular episode, she explores the computer and the history of its development. Part of her USP is to ask experts in the field rather basic questions which sometimes can almost seem profound in their simplicity (or stupidity) although of course, in this context, it is for comedic effect. In some ways, it reminds me of the ancient philosopher Socrates who was said to upset the learned men of his time by constantly asking why. The harsh reality, of course, is that by constantly asking "why" one is led to what is known as the infinite regress where we all are forced to the limits of human knowledge and left with that uncomfortable realisation that none of us really understand at all the strange reality in which we happen to find ourselves.