Here is a really funny sketch from Armstrong and Millar. Anyone who has spent hours on flights for their business or employer will relate to this little sketch. A nice dig at high powered business folk who spend their work hours presenting other colleague's work.

Another funny sketch from Harry Enfield and Paul Whitehouse. In this series part of the charm of this humour was simply capturing the odd characteristics of certain iconic characters that exist in every generation in this strange world we all find ourselves in. The ultra posh private Harley Street specialist routine is just so funny as in high powered medicine you do end up getting some characters, especially at the top echelons of the profession.

It has been often observed by historians that the Brits, unlike many other cultures (here's looking at you France 😀), never appear to rise up in full mutiny against their government. Of course British politicians and too many of the British public assume this is because the British government has been generally more functional than most other ruling institutions and a lot less corrupt. This believe however is surely utter fantasy and this fantasy has been aptly demonstrated by the utter chaos of the last 3 years with Britain being subject to one of the most dreadful governments in living memory, lead by a narcissistic liar who is up to his ears in corruption and enabled by a complicit cabinet of individuals who appear not to possess anything resembling a functioning conscience or talent.

So what is the secret to the lack of British ire against a ruling class that often makes their lives miserable and, in more extreme circumstances, even costs them their very lives (UK covid death statistics combined with people now dying at home because they can't get an ambulance to them in time to save their lives)? My conjecture is it is British comedy that takes the mick out of its immoral ruling class. I wonder if such mockery, by British comedians, acts as some sort of national safety valve that lessens the rightful anger that many Brits feels against those who treat them as serfs that deserve nothing more than to be exploited.

If my conjecture is correct, then it should be talents like Matt Green that receive a knighthood from de Feffel Johnson rather than non-entities such as David Frost whose greatest claim to fame is achieving a form of "Schrodinger's cat" Brexit where his own deal is simultaneously his unique achievement yet one that now needs complete reneging through a parliamentary bill which, if acted upon, amounts to breaking international law.

So I guess this strictly isn't comedy although it certainly contains very funny elements. I must confess I am mentally exhausted living in a world where wicked people always get away with it and seemingly never face the consequences of their many crimes. I think for me the last few years in Britain has been really tough as I have witness an extremist faction of the Tory party (the European Research Group) get control of the party and through their stooge Boris Johnson, completely reek havoc on the UK economy by taking Britain out of the European Union trading bloc while allowing a man like Johnson, who does not have a honest bone in his body, lie his way through his premiership. The harsh consequences for the country has been the highest death toll in Europe from Covid-19, a National Health Service in complete meltdown, sustained double digit inflation, a severe cost of living crisis that the government is not even pretending to deal with, and finally a political campaign to find Johnson's replacement fought by too completely incompetent non-entities who should not have a job cleaning toilets let alone running the UK as the next PM.

Anyway, in this video you will see how Kitboger strings along a professional scammer, who normally preys on poor old ladies and gentlemen, to waste 5 hours of his day and give him the complete run-around as he thinks he has an easy target on which to ply his trade. The sense of schadenfreude in is strong in this video.

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I think one of the funniest comedy series made in the teens of the 21^st was the IT crowd. The concept of the series is based around the IT department of a big multinational (Reynholme industries) that produces a product that is never revealed (part of the comical concept of the whole series). The IT department consists of two geeky guys: a classical geek (Moss) and a more subtle geek (Roy) who boasts to his boss Jen in the final episode of the whole series that his girlfriend thinks he is on the "emotional artistic spectrum". In some episodes (including this one) a goth called Richmond, who lives in the Server room, also puts in an appearance just to add to fun.

The series in general was brilliant but like all series, there were some episodes that were particularly funny. This clip is taken from the first episode of season 2 where Moss and Roy gate crash a date with their boss Jen who taken to the theatre by a bloke she hopes will be her next love interest. Unfortunately for her, he is gay and the musical he takes them to is not what one would describe as "mainstream". Yet given this is Moss's very first time at the theatre, he is very impressed, although, unbeknown to him and Roy, things are going to get interesting as the episode unfolds with Roy having to fake he is disabled and Moss ending up working behind the drinks counter and causing utter mayhem. All crazy stuff that generates a ton of very funny comedy. The clip below is the beginning of this very funny episode.

Time to move onto some stand up comedy. I begin with Peter Kay who has produced some masterful material over his career capturing the many foibles of human existence. In this particularly funny segment, Kay picks up on the common problem we all have (especially as we get older) of completely mishearing lyrics.

I find this sketch particularly interesting as a physiologist because it also demonstrates how our brains can be so easily tricked if we are presented contrary information about the content of what we are hearing. Kay tells the audience what he wants them to hear and then mouths the incorrect lyric over the song and incredibly this is exactly then what you here. The most dramatic demonstration of this is in the song "We are family where he suggests they are singing "just let me staple the vicar". The correct lyrics are "just let me state for the record". If you play this part of the sketch and focus on the correct lyric of "just let me state for the record" you will actually correctly hear the correct words. Quite incredible really.

Time for another sketch from Armstrong and Miller. In their comedy series, they developed thematic sketches and one of their themes was the hapless educational historian who examines "priceless" historical artefacts only to accidentally destroy them through some odd mishap. A very simple but effective comedic theme.