So working through the comedians in the comedy picture spread above, Rowen Atkinson's famous comedy creation Mr Bean always brings a laugh to most people. Apparently Bean is popular even without translation in other languages because his humour is so visual. The set of sketches in this video are well worth watching if your day needs a lift with some light slap stick comedy. I particularly enjoy when Bean goes to the theatre to watch a horror movie with his long-suffering girlfriend.

We now move onto a slightly different genre of comedy sketches with this recent sketch by the comedian Tom Walker who has created a fictional character Jonathan Pie. Walker created his character by imagining what professional journalists might really think of the stories they are reporting on the TV, especially when they relate to the crazy goings on of our elected officials.

Most of his skits follow a format whereby Jonathan begins as if he is concluding his news report and then as he says the final line of his report "Jonathan Pie reporting from London" or something like this, he then goes into a massive comical rant about what he really thinks of the subject matter he has just reported on.

This sketch is a slight departure from his standard formula as here he imagines his character Jonathan, has been asked by the New York times to give a rundown for an American audience of UK Prime Minister Boris Johnson's character and behaviour. One of the distinct aspect of Pie's humour is that his rants often have an almost prophetic tone to them whereby the hearer is often left with a strong desire to say Amen as one feels his anger at the corruption that currently plagues the UK ruling class.

Once again this sketch is a classic from the Armstrong and Miller series. Quick tip for those who are considering how to conduct a job interview. When your prospective employer asks you what do you see are your faults make sure you answer something like you find it hard to take breaks because you are so passionate about your work. 😉

So going back again into the early 70s here is another classic sketch from Morecambe and Wise. I must confess it is quite interesting looking back at the comedy of the seventies because it clearly demonstrates how humour is very generation and time specific. Morecambe and Wise were considered comic geniuses of their time but in some ways this sketch now appears almost quaint in its lack of parodic sophistication compared with more modern work that I have recently cited.

Of course as I have looked back at some of the old comics from the seventies, much of it would now be considered highly offensive. For example, there was a driving instructor sketch by Dick Emery which while it had some funny moments, also had moments that I would no longer find funny and which many would probably find offensive. To me this demonstrates how our sense of humour is deeply influenced by what our society considers to be inside the moral zeitgeist of acceptability for a particular generation.

Ryan George has a real gift of taking the cultural furniture that has been with us for our whole lives and exposing just how strange it really is when observed from a different perspective. I guess our Christmas paraphernalia is ripe for such parody given the thousands of Christmas songs that have accumulated over the centuries this season has been celebrated in the Western world.

Frosty the Snowman has always been one of my favourites since our next door neigbour once bought my daughter Grace a dancing singing snowman with this tune programmed into it. Strangely enough the version in our snowman is a little different to the classic one. Perhaps I am doing a Peter Kay by mishearing the lyrics of my dancing snowman but it truly likes he is singing:

"🎼 Frosty the snowman was a jolly happy soul, with a pink carnation and a button nose and a lively 'I don't know'🎵". My youngest autistic daughter Rebekah and I now regularly sing these words as we both find them rather amusing in their silliness.

So last week I posted a compilation of sketches by Armstrong and Miller which captured the sometimes strange dynamics that occur in "high powered" workplaces full of alpha male (and sometimes female) middle managers and their underlings all vying for patronage from their boss. The Armstrong and Miller show often ran the same sketch each week developing it little by little each time. If you want to see how the striding man character developed during their comedy series then look at last week's post

The sketch below is the final instalment of the Striding Man and I guess the moral of the story is no matter how successful you are inside your workplace, there is always a chance it could all come crashing down in a moment. I guess this even applies to CEOs who can find themselves fired by their boards. Having said that, I think most CEOs know that even if they get fired they will walk away with a gigantic severance payment and into another CEO role in another large company such is the old boys revolving network that seems to exist at that level.

In week 23 I posted some material from the series the IT crowd which was a brilliant series that screened in the naughties. Although all the episodes were very funny, two that were exceptionally good were "Are we not men?" (a nice reference to Devo there) and "The work outing". I have already cited the first bit of the work outing in September last year so now it is time for the next instalment. For the context of where this sketch starts, click here to watch part I.