There is an interesting back story to this character which I discovered when I saw an interview with the great Ian Hislop of Private Eye and Have I got News for you fame. The wikipedia entry for Harry Enfield and Chums states the following under the subheading Tim Nice-but-Dim Esq.

The character was initially created by Ian Hislop and Nick Newman, who are both Old Ardinians. They wrote the character as an antidote to contemporary portrayals of ex-public schoolboys as sharp-minded, high-achieving young men, and instead chose to base the character on former school contemporaries who had plenty of money and good manners but were light of intellect. Tim's catchphrase is "What an absolutely, thoroughly, bloody nice bloke!" A notable scene was him going to the school reunion of another school.

This video is a brief compilation of the final Blackadder series which was set in World War I. Although at one level it is very amusing, I guess, as is so often with humour, it is funny because it is only a relatively thin parody of the utter stupid strategy that the British ruling army class employed in World War I.

Today I was listening to James OBrien and a 97 year old caller rang in to say that he feels the UK government under Johnson is the worst it has ever been in his long lifetime. Given this government is constantly trying to gaslight its electorate, by telling us that Johnson got all the big calls right in relation to Covid-19, Brexit and the war in Ukraine, it seems this sketch by Harry Enfield is entirely appropriate even though the heart of the sketch suggests that in the past the media gave the government an easy time in terms of holding it to account.

Sadly those days appear to have returned with a vengeance given the pressure this current Conservative government is putting on organisations like the BBC and channel 4 and the revolving door between Parliament and the client journalists that supply ministers to top government positions.

So going back again into the early 70s here is another classic sketch from Morecambe and Wise. I must confess it is quite interesting looking back at the comedy of the seventies because it clearly demonstrates how humour is very generation and time specific. Morecambe and Wise were considered comic geniuses of their time but in some ways this sketch now appears almost quaint in its lack of parodic sophistication compared with more modern work that I have recently cited.

Of course as I have looked back at some of the old comics from the seventies, much of it would now be considered highly offensive. For example, there was a driving instructor sketch by Dick Emery which while it had some funny moments, also had moments that I would no longer find funny and which many would probably find offensive. To me this demonstrates how our sense of humour is deeply influenced by what our society considers to be inside the moral zeitgeist of acceptability for a particular generation.

It has been often observed by historians that the Brits, unlike many other cultures (here's looking at you France 😀), never appear to rise up in full mutiny against their government. Of course British politicians and too many of the British public assume this is because the British government has been generally more functional than most other ruling institutions and a lot less corrupt. This believe however is surely utter fantasy and this fantasy has been aptly demonstrated by the utter chaos of the last 3 years with Britain being subject to one of the most dreadful governments in living memory, lead by a narcissistic liar who is up to his ears in corruption and enabled by a complicit cabinet of individuals who appear not to possess anything resembling a functioning conscience or talent.

So what is the secret to the lack of British ire against a ruling class that often makes their lives miserable and, in more extreme circumstances, even costs them their very lives (UK covid death statistics combined with people now dying at home because they can't get an ambulance to them in time to save their lives)? My conjecture is it is British comedy that takes the mick out of its immoral ruling class. I wonder if such mockery, by British comedians, acts as some sort of national safety valve that lessens the rightful anger that many Brits feels against those who treat them as serfs that deserve nothing more than to be exploited.

If my conjecture is correct, then it should be talents like Matt Green that receive a knighthood from de Feffel Johnson rather than non-entities such as David Frost whose greatest claim to fame is achieving a form of "Schrodinger's cat" Brexit where his own deal is simultaneously his unique achievement yet one that now needs complete reneging through a parliamentary bill which, if acted upon, amounts to breaking international law.

Last week I cited a Mash report sketch which contained an appearance from Michael Spicer who has his own Youtube series called the Room Next Door. The premise of this comedy is he is pretending to be a hidden media advisor speaking into the earpiece of hapless politicians to help them get through their interviews. Probably one of the most hapless politician of all time is the former Prime Minister of the UK whose tenure lasted all of 45 days after she managed to crash UK Sterling and the economy. In this sketch, Spicer is trying to navigate Truss through an interview with Laura Kuenssberg which of course, as with all Truss interviews, did not go at all well even though she did try to throw her Chancellor under the bus ("it was all Qwasi's fault!").

On the day I wrote this post, the UK was in utter political chaos. It is heart breaking the damage the current Conservative government has done to Britain through their corruption, incompetence and greed. Brexit has been the disaster that was predicted yet as with all major mistakes made by those in power, the most affected by their errors are the poor.

Sadly, however this has always been the reality of situation, and the 2007 banking crisis was another great demonstration of how those who cause the most damage to our society, face zero negative consequences while nonetheless being highly rewarded for their mistakes. In many ways, I think this is one of the biggest problems with modern Capitalism. It prides itself on the idea that the free market will be a good arbiter of judging success and failure yet in reality, we often find that those who do offer the most benefit to society are not rewarded even with a liveable wage while those who cause the most damage (and this includes CEOs who destroy individual companies) are almost never held to account. Sadly, those who try to raise this objection are often dismissed as simply being too left-wing when in fact this critique has no bearing on one's view of how socialistic a society should be.

Returning to the comedy at hand, Bird and Fortune were too rather elderly Gentleman who produced a cracking series in the naughties critiquing the obvious political shenanigans that plagued the globe around the time of the financial crisis of 2007/8 and the war on terrorism that preceded it. Sadly John Fortune passed away on New Year's eve of 2013 aged 74 while John Bird passed away only recently on Christmas Eve of 2022 aged 86. RIP John F & John B.