Last week I posted a recurring sketch by Harry Enfield and Chums about a gormless upper class English character called Tim Nice-But-Dim. Yet parodying the upper class in Britain has always been part of British comedy and this next clip is a classic example taken from the comedy group Monty Python. Monty Python is a bit of an acquired taste and I can imagine that some will not enjoy this sketch although I think it gets better as the skit progresses.

I grew up in Australia and when I first moved to the UK just shy of 30 years ago I used to think that the Australian view of the British being in the grips of a class system was over-stated. Sadly however, I have come to realise the sad truth that the British class system, while being completely anachronistic for the 21^st century, is still very much alive and well. The most disturbing modern incarnation of it at present is the current Tory party under Alexander Boris Pfeffel Johnson who single-handedly has brought into sharp focus all that is wrong with a system that allows some of the most intellectually and, more importantly, morally challenged individuals into the heart of government where their actions make the majority of folk poorer and where horrendous policies are enacted to appeal to the darker demons of our nature including xenophobia and racism.

One Youtube comment under this clip which brought a wry smile to my face was the following It's interesting how as time passed, this marvellous sport has developed into something that the entire world gets pure entertainment value from and has been renamed to 'British Government'.

This clip combines one of the most naturally funny comedy duos with one of the greatest rock bands to ever grace our planet. Unfortunately, the footage is restored and quite old as it was filmed in 1963. However, it is still really iconic footage to watch and for both Beatle and Morecambe and Wise fans will make you feel very nostalgic.

It has been often observed by historians that the Brits, unlike many other cultures (here's looking at you France 😀), never appear to rise up in full mutiny against their government. Of course British politicians and too many of the British public assume this is because the British government has been generally more functional than most other ruling institutions and a lot less corrupt. This believe however is surely utter fantasy and this fantasy has been aptly demonstrated by the utter chaos of the last 3 years with Britain being subject to one of the most dreadful governments in living memory, lead by a narcissistic liar who is up to his ears in corruption and enabled by a complicit cabinet of individuals who appear not to possess anything resembling a functioning conscience or talent.

So what is the secret to the lack of British ire against a ruling class that often makes their lives miserable and, in more extreme circumstances, even costs them their very lives (UK covid death statistics combined with people now dying at home because they can't get an ambulance to them in time to save their lives)? My conjecture is it is British comedy that takes the mick out of its immoral ruling class. I wonder if such mockery, by British comedians, acts as some sort of national safety valve that lessens the rightful anger that many Brits feels against those who treat them as serfs that deserve nothing more than to be exploited.

If my conjecture is correct, then it should be talents like Matt Green that receive a knighthood from de Feffel Johnson rather than non-entities such as David Frost whose greatest claim to fame is achieving a form of "Schrodinger's cat" Brexit where his own deal is simultaneously his unique achievement yet one that now needs complete reneging through a parliamentary bill which, if acted upon, amounts to breaking international law.

So last week I shared a comedy video which was a parody of de Feffel's resignation speech. This week we of course now must be subject to the spectacle of those who supported Johnson's car crash vying to replace him. Given that Johnson created a strong evolutionary selection pressure to reward those who were least likely to present any threat to his leadership into cabinet positions, the choice the country has, in relation to the field of possible Tory replacements, is (as the LBC radio presenter James O'Brien stated) a bit like trying to chose a portaloo toilet at the Glastonbury festival.

Thankfully, probably the worst three in Johnson's cabinet of infamy had enough sense not to run and this of course included Nadine Dorries the minister for culture. Sadly over her tenure, Nadine has sadly demonstrated why she would never, in a million years, get a cabinet position under any other Prime Minister who had even a modicum of public duty in his body. Yet for comical effect, the comedian Sooz Kemper imagines what it would be like if Nadine had decided to run to replace Johnson as PM and what her campaign launch speech might have looked and sounded like. Enjoy.

So what I find interesting in these bleak UK political times is how it is spawning new comedy from hitherto completely unknown people (this lady at the time of writing this post has only 393 subscribers). This gem popped up on my Youtube feed on the 13^th of August so I thought I might as well include it in this week's comedy sketch release.

This lady does a great Liz Truss impersonation yet the tragedy is that it is so close to the real thing that one is left feeling both depressed and entertained at the same time. Entertained by the clever parody, yet depressed at the the thought that our next Prime Minister will be indistinguishable from this parody character. Not something you really want to think about when we are facing a cost of living crisis with UK energy bills tipped to hit over £4K per year next year, a war in Eastern Europe, collapsing NHS, global heating-driven European heatwave etc, etc.

Time to move to stand up comedy. This first sketch is an impressive little musical number with somewhat complex lyrics that explores (critiques) the American idea that where you fall on the political spectrum is a morally neutral choice. It makes it point rather successfully I feel through comedy although the song itself is definitely not a laugh minute tune.

So last week I posted a compilation of sketches by Armstrong and Miller which captured the sometimes strange dynamics that occur in "high powered" workplaces full of alpha male (and sometimes female) middle managers and their underlings all vying for patronage from their boss. The Armstrong and Miller show often ran the same sketch each week developing it little by little each time. If you want to see how the striding man character developed during their comedy series then look at last week's post

The sketch below is the final instalment of the Striding Man and I guess the moral of the story is no matter how successful you are inside your workplace, there is always a chance it could all come crashing down in a moment. I guess this even applies to CEOs who can find themselves fired by their boards. Having said that, I think most CEOs know that even if they get fired they will walk away with a gigantic severance payment and into another CEO role in another large company such is the old boys revolving network that seems to exist at that level.