There is an interesting back story to this character which I discovered when I saw an interview with the great Ian Hislop of Private Eye and Have I got News for you fame. The wikipedia entry for Harry Enfield and Chums states the following under the subheading Tim Nice-but-Dim Esq.

The character was initially created by Ian Hislop and Nick Newman, who are both Old Ardinians. They wrote the character as an antidote to contemporary portrayals of ex-public schoolboys as sharp-minded, high-achieving young men, and instead chose to base the character on former school contemporaries who had plenty of money and good manners but were light of intellect. Tim's catchphrase is "What an absolutely, thoroughly, bloody nice bloke!" A notable scene was him going to the school reunion of another school.

This is quite a funny sketch with Harry Enfield playing the Queen. Not much to say on this one. Best just to watch and enjoy it. I wonder if the real queen would find this little sketch funny?

I think one of the funniest comedy series made in the teens of the 21^st was the IT crowd. The concept of the series is based around the IT department of a big multinational (Reynholme industries) that produces a product that is never revealed (part of the comical concept of the whole series). The IT department consists of two geeky guys: a classical geek (Moss) and a more subtle geek (Roy) who boasts to his boss Jen in the final episode of the whole series that his girlfriend thinks he is on the "emotional artistic spectrum". In some episodes (including this one) a goth called Richmond, who lives in the Server room, also puts in an appearance just to add to fun.

The series in general was brilliant but like all series, there were some episodes that were particularly funny. This clip is taken from the first episode of season 2 where Moss and Roy gate crash a date with their boss Jen who taken to the theatre by a bloke she hopes will be her next love interest. Unfortunately for her, he is gay and the musical he takes them to is not what one would describe as "mainstream". Yet given this is Moss's very first time at the theatre, he is very impressed, although, unbeknown to him and Roy, things are going to get interesting as the episode unfolds with Roy having to fake he is disabled and Moss ending up working behind the drinks counter and causing utter mayhem. All crazy stuff that generates a ton of very funny comedy. The clip below is the beginning of this very funny episode.

So staying with the two Ronnies for another week this sketch seems strangely appropriate given death is on everyone's mind given the sad passing of the Queen. This sketch also has quite a dark tinge to it now given the dreadful reality of one of Britain's most infamous mass murderers Harold Shipman. It is ironic to think when this sketch was made, he had probably already started murdering the many victims. As I said in my introduction to this collection, we live in a dark world where comedy gives us a powerful respite from the reality of our present existence.

This particular Youtube clip is not embedable so you can only watch it directly on Youtube by clicking here

Time for some more Mr Bean. My late Dad was a dentist so this little sketch always makes me smile. It is also good to see Richard Wilson (who played Victor Meldrew in One foot in the Grave) acting alongside Rowan Atkinson. In some ways, this sketch fits well with the character of Mr Bean given that a dental injection causes your face to change - a great excuse for Atkinson to show off his physical skills which was so much part of the comedy of this show

Time to move onto some stand up comedy. I begin with Peter Kay who has produced some masterful material over his career capturing the many foibles of human existence. In this particularly funny segment, Kay picks up on the common problem we all have (especially as we get older) of completely mishearing lyrics.

I find this sketch particularly interesting as a physiologist because it also demonstrates how our brains can be so easily tricked if we are presented contrary information about the content of what we are hearing. Kay tells the audience what he wants them to hear and then mouths the incorrect lyric over the song and incredibly this is exactly then what you here. The most dramatic demonstration of this is in the song "We are family where he suggests they are singing "just let me staple the vicar". The correct lyrics are "just let me state for the record". If you play this part of the sketch and focus on the correct lyric of "just let me state for the record" you will actually correctly hear the correct words. Quite incredible really.

This compilation of sketches parodies certain modern work environments where everyone competes for patronage from the alpha male that occupies some senior position in their company. As with so many workplaces, there is always the poor Declan who never can find a path into the in crowd no matter what juicy information titbit he brings his boss.

Armstrong and Miller in their comedy series often ran the same sketches for several weeks in a row developing the theme each time as this compilation demonstrates. However, this series of sketches has quite an amusing punchline to it which is the subject of next week's comedy post