Here is a really funny sketch from Armstrong and Millar. Anyone who has spent hours on flights for their business or employer will relate to this little sketch. A nice dig at high powered business folk who spend their work hours presenting other colleague's work.

So last week I shared a comedy video which was a parody of de Feffel's resignation speech. This week we of course now must be subject to the spectacle of those who supported Johnson's car crash vying to replace him. Given that Johnson created a strong evolutionary selection pressure to reward those who were least likely to present any threat to his leadership into cabinet positions, the choice the country has, in relation to the field of possible Tory replacements, is (as the LBC radio presenter James O'Brien stated) a bit like trying to chose a portaloo toilet at the Glastonbury festival.

Thankfully, probably the worst three in Johnson's cabinet of infamy had enough sense not to run and this of course included Nadine Dorries the minister for culture. Sadly over her tenure, Nadine has sadly demonstrated why she would never, in a million years, get a cabinet position under any other Prime Minister who had even a modicum of public duty in his body. Yet for comical effect, the comedian Sooz Kemper imagines what it would be like if Nadine had decided to run to replace Johnson as PM and what her campaign launch speech might have looked and sounded like. Enjoy.

I think one of the funniest comedy series made in the teens of the 21^st was the IT crowd. The concept of the series is based around the IT department of a big multinational (Reynholme industries) that produces a product that is never revealed (part of the comical concept of the whole series). The IT department consists of two geeky guys: a classical geek (Moss) and a more subtle geek (Roy) who boasts to his boss Jen in the final episode of the whole series that his girlfriend thinks he is on the "emotional artistic spectrum". In some episodes (including this one) a goth called Richmond, who lives in the Server room, also puts in an appearance just to add to fun.

The series in general was brilliant but like all series, there were some episodes that were particularly funny. This clip is taken from the first episode of season 2 where Moss and Roy gate crash a date with their boss Jen who taken to the theatre by a bloke she hopes will be her next love interest. Unfortunately for her, he is gay and the musical he takes them to is not what one would describe as "mainstream". Yet given this is Moss's very first time at the theatre, he is very impressed, although, unbeknown to him and Roy, things are going to get interesting as the episode unfolds with Roy having to fake he is disabled and Moss ending up working behind the drinks counter and causing utter mayhem. All crazy stuff that generates a ton of very funny comedy. The clip below is the beginning of this very funny episode.

Time for change of comedy genre. The two Ronnies are the type of comedians that you could safely take you neighbourhood monk to and they would probably not be offended. Ronnie Barker was very gifted at coming up with clever ideas for sketches and this one, while not a play on words, is nonetheless clever in its execution. It also has a nice little punchline to bring the sketch to a fitting conclusion

Another sketch from two of the most naturally funny comedians who dominated the TV networks when I was a child. While some of their comedy has now aged, this sketch still makes me laugh out loud. Eric Morecambe was incredibly naturally funny, I would have loved to have met him.

Time to move onto some stand up comedy. I begin with Peter Kay who has produced some masterful material over his career capturing the many foibles of human existence. In this particularly funny segment, Kay picks up on the common problem we all have (especially as we get older) of completely mishearing lyrics.

I find this sketch particularly interesting as a physiologist because it also demonstrates how our brains can be so easily tricked if we are presented contrary information about the content of what we are hearing. Kay tells the audience what he wants them to hear and then mouths the incorrect lyric over the song and incredibly this is exactly then what you here. The most dramatic demonstration of this is in the song "We are family where he suggests they are singing "just let me staple the vicar". The correct lyrics are "just let me state for the record". If you play this part of the sketch and focus on the correct lyric of "just let me state for the record" you will actually correctly hear the correct words. Quite incredible really.

Ryan George has a real gift of taking the cultural furniture that has been with us for our whole lives and exposing just how strange it really is when observed from a different perspective. I guess our Christmas paraphernalia is ripe for such parody given the thousands of Christmas songs that have accumulated over the centuries this season has been celebrated in the Western world.

Frosty the Snowman has always been one of my favourites since our next door neigbour once bought my daughter Grace a dancing singing snowman with this tune programmed into it. Strangely enough the version in our snowman is a little different to the classic one. Perhaps I am doing a Peter Kay by mishearing the lyrics of my dancing snowman but it truly likes he is singing:

"🎼 Frosty the snowman was a jolly happy soul, with a pink carnation and a button nose and a lively 'I don't know'🎵". My youngest autistic daughter Rebekah and I now regularly sing these words as we both find them rather amusing in their silliness.