Last week I posted a recurring sketch by Harry Enfield and Chums about a gormless upper class English character called Tim Nice-But-Dim. Yet parodying the upper class in Britain has always been part of British comedy and this next clip is a classic example taken from the comedy group Monty Python. Monty Python is a bit of an acquired taste and I can imagine that some will not enjoy this sketch although I think it gets better as the skit progresses.

I grew up in Australia and when I first moved to the UK just shy of 30 years ago I used to think that the Australian view of the British being in the grips of a class system was over-stated. Sadly however, I have come to realise the sad truth that the British class system, while being completely anachronistic for the 21^st century, is still very much alive and well. The most disturbing modern incarnation of it at present is the current Tory party under Alexander Boris Pfeffel Johnson who single-handedly has brought into sharp focus all that is wrong with a system that allows some of the most intellectually and, more importantly, morally challenged individuals into the heart of government where their actions make the majority of folk poorer and where horrendous policies are enacted to appeal to the darker demons of our nature including xenophobia and racism.

One Youtube comment under this clip which brought a wry smile to my face was the following It's interesting how as time passed, this marvellous sport has developed into something that the entire world gets pure entertainment value from and has been renamed to 'British Government'.

So going back again into the early 70s here is another classic sketch from Morecambe and Wise. I must confess it is quite interesting looking back at the comedy of the seventies because it clearly demonstrates how humour is very generation and time specific. Morecambe and Wise were considered comic geniuses of their time but in some ways this sketch now appears almost quaint in its lack of parodic sophistication compared with more modern work that I have recently cited.

Of course as I have looked back at some of the old comics from the seventies, much of it would now be considered highly offensive. For example, there was a driving instructor sketch by Dick Emery which while it had some funny moments, also had moments that I would no longer find funny and which many would probably find offensive. To me this demonstrates how our sense of humour is deeply influenced by what our society considers to be inside the moral zeitgeist of acceptability for a particular generation.

After living in the UK for just over 30 years, I have come to the conclusion that one of the ways the British cope with their corrupt politicians is by laughing at them. Although this method helps makes coping with the worst excesses of the British class system bearable, I wonder if it might inadvertently stifle true political progress in the UK? Certainly Boris Johnson is one of the most terrible, lying corrupt Prime Ministers Britain has had for well over a century. Yet so much of his appeal to the voting public is he was able to play the fool and make people laugh. Although I enjoy British humour very much, I do hope that one day the Brits come to realise that the amount of corruption in their political system probably rivals some of archetypal African nations to which so many Brits feel superior in relation to their "mother of all Parliaments".

So I guess this strictly isn't comedy although it certainly contains very funny elements. I must confess I am mentally exhausted living in a world where wicked people always get away with it and seemingly never face the consequences of their many crimes. I think for me the last few years in Britain has been really tough as I have witness an extremist faction of the Tory party (the European Research Group) get control of the party and through their stooge Boris Johnson, completely reek havoc on the UK economy by taking Britain out of the European Union trading bloc while allowing a man like Johnson, who does not have a honest bone in his body, lie his way through his premiership. The harsh consequences for the country has been the highest death toll in Europe from Covid-19, a National Health Service in complete meltdown, sustained double digit inflation, a severe cost of living crisis that the government is not even pretending to deal with, and finally a political campaign to find Johnson's replacement fought by too completely incompetent non-entities who should not have a job cleaning toilets let alone running the UK as the next PM.

Anyway, in this video you will see how Kitboger strings along a professional scammer, who normally preys on poor old ladies and gentlemen, to waste 5 hours of his day and give him the complete run-around as he thinks he has an easy target on which to ply his trade. The sense of schadenfreude in is strong in this video.

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Another sketch from two of the most naturally funny comedians who dominated the TV networks when I was a child. While some of their comedy has now aged, this sketch still makes me laugh out loud. Eric Morecambe was incredibly naturally funny, I would have loved to have met him.

Ryan George has a real gift of taking the cultural furniture that has been with us for our whole lives and exposing just how strange it really is when observed from a different perspective. I guess our Christmas paraphernalia is ripe for such parody given the thousands of Christmas songs that have accumulated over the centuries this season has been celebrated in the Western world.

Frosty the Snowman has always been one of my favourites since our next door neigbour once bought my daughter Grace a dancing singing snowman with this tune programmed into it. Strangely enough the version in our snowman is a little different to the classic one. Perhaps I am doing a Peter Kay by mishearing the lyrics of my dancing snowman but it truly likes he is singing:

"🎼 Frosty the snowman was a jolly happy soul, with a pink carnation and a button nose and a lively 'I don't know'🎵". My youngest autistic daughter Rebekah and I now regularly sing these words as we both find them rather amusing in their silliness.

Time for another sketch from Armstrong and Miller. In their comedy series, they developed thematic sketches and one of their themes was the hapless educational historian who examines "priceless" historical artefacts only to accidentally destroy them through some odd mishap. A very simple but effective comedic theme.