Another funny sketch from Harry Enfield and Paul Whitehouse. In this series part of the charm of this humour was simply capturing the odd characteristics of certain iconic characters that exist in every generation in this strange world we all find ourselves in. The ultra posh private Harley Street specialist routine is just so funny as in high powered medicine you do end up getting some characters, especially at the top echelons of the profession.

Today I was listening to James OBrien and a 97 year old caller rang in to say that he feels the UK government under Johnson is the worst it has ever been in his long lifetime. Given this government is constantly trying to gaslight its electorate, by telling us that Johnson got all the big calls right in relation to Covid-19, Brexit and the war in Ukraine, it seems this sketch by Harry Enfield is entirely appropriate even though the heart of the sketch suggests that in the past the media gave the government an easy time in terms of holding it to account.

Sadly those days appear to have returned with a vengeance given the pressure this current Conservative government is putting on organisations like the BBC and channel 4 and the revolving door between Parliament and the client journalists that supply ministers to top government positions.

It has been often observed by historians that the Brits, unlike many other cultures (here's looking at you France 😀), never appear to rise up in full mutiny against their government. Of course British politicians and too many of the British public assume this is because the British government has been generally more functional than most other ruling institutions and a lot less corrupt. This believe however is surely utter fantasy and this fantasy has been aptly demonstrated by the utter chaos of the last 3 years with Britain being subject to one of the most dreadful governments in living memory, lead by a narcissistic liar who is up to his ears in corruption and enabled by a complicit cabinet of individuals who appear not to possess anything resembling a functioning conscience or talent.

So what is the secret to the lack of British ire against a ruling class that often makes their lives miserable and, in more extreme circumstances, even costs them their very lives (UK covid death statistics combined with people now dying at home because they can't get an ambulance to them in time to save their lives)? My conjecture is it is British comedy that takes the mick out of its immoral ruling class. I wonder if such mockery, by British comedians, acts as some sort of national safety valve that lessens the rightful anger that many Brits feels against those who treat them as serfs that deserve nothing more than to be exploited.

If my conjecture is correct, then it should be talents like Matt Green that receive a knighthood from de Feffel Johnson rather than non-entities such as David Frost whose greatest claim to fame is achieving a form of "Schrodinger's cat" Brexit where his own deal is simultaneously his unique achievement yet one that now needs complete reneging through a parliamentary bill which, if acted upon, amounts to breaking international law.

I think one of the funniest comedy series made in the teens of the 21^st was the IT crowd. The concept of the series is based around the IT department of a big multinational (Reynholme industries) that produces a product that is never revealed (part of the comical concept of the whole series). The IT department consists of two geeky guys: a classical geek (Moss) and a more subtle geek (Roy) who boasts to his boss Jen in the final episode of the whole series that his girlfriend thinks he is on the "emotional artistic spectrum". In some episodes (including this one) a goth called Richmond, who lives in the Server room, also puts in an appearance just to add to fun.

The series in general was brilliant but like all series, there were some episodes that were particularly funny. This clip is taken from the first episode of season 2 where Moss and Roy gate crash a date with their boss Jen who taken to the theatre by a bloke she hopes will be her next love interest. Unfortunately for her, he is gay and the musical he takes them to is not what one would describe as "mainstream". Yet given this is Moss's very first time at the theatre, he is very impressed, although, unbeknown to him and Roy, things are going to get interesting as the episode unfolds with Roy having to fake he is disabled and Moss ending up working behind the drinks counter and causing utter mayhem. All crazy stuff that generates a ton of very funny comedy. The clip below is the beginning of this very funny episode.

So last week I posted a compilation of sketches by Armstrong and Miller which captured the sometimes strange dynamics that occur in "high powered" workplaces full of alpha male (and sometimes female) middle managers and their underlings all vying for patronage from their boss. The Armstrong and Miller show often ran the same sketch each week developing it little by little each time. If you want to see how the striding man character developed during their comedy series then look at last week's post

The sketch below is the final instalment of the Striding Man and I guess the moral of the story is no matter how successful you are inside your workplace, there is always a chance it could all come crashing down in a moment. I guess this even applies to CEOs who can find themselves fired by their boards. Having said that, I think most CEOs know that even if they get fired they will walk away with a gigantic severance payment and into another CEO role in another large company such is the old boys revolving network that seems to exist at that level.

On the day I wrote this post, the UK was in utter political chaos. It is heart breaking the damage the current Conservative government has done to Britain through their corruption, incompetence and greed. Brexit has been the disaster that was predicted yet as with all major mistakes made by those in power, the most affected by their errors are the poor.

Sadly, however this has always been the reality of situation, and the 2007 banking crisis was another great demonstration of how those who cause the most damage to our society, face zero negative consequences while nonetheless being highly rewarded for their mistakes. In many ways, I think this is one of the biggest problems with modern Capitalism. It prides itself on the idea that the free market will be a good arbiter of judging success and failure yet in reality, we often find that those who do offer the most benefit to society are not rewarded even with a liveable wage while those who cause the most damage (and this includes CEOs who destroy individual companies) are almost never held to account. Sadly, those who try to raise this objection are often dismissed as simply being too left-wing when in fact this critique has no bearing on one's view of how socialistic a society should be.

Returning to the comedy at hand, Bird and Fortune were too rather elderly Gentleman who produced a cracking series in the naughties critiquing the obvious political shenanigans that plagued the globe around the time of the financial crisis of 2007/8 and the war on terrorism that preceded it. Sadly John Fortune passed away on New Year's eve of 2013 aged 74 while John Bird passed away only recently on Christmas Eve of 2022 aged 86. RIP John F & John B.

A nice little thematic compilation of sketches by Armstrong and Miller exploring the age old dynamics (fluid or turbulent?) of couples. Some quite funny punch lines in this set.